Showing posts with label 35mm photography. Show all posts
Showing posts with label 35mm photography. Show all posts

Saturday, June 06, 2009

A Tribute to Michael

In the summer of 2007, Michael was thrilled to be accepted as a member of the Soho Photo Gallery. He had planned to have an exhibit in the autumn of that year, but his illness made it impossible. We are happy to bring his plans to fruition. His show, East Village Portraits, will be on view at the gallery through July 4.

Gallery hours are Wednesday thru Sunday, 1-6 p.m. Soho Photo is located at 15 White Street, New York, NY. That is 3 blocks south of Canal Street, between 6th Avenue and West Broadway. The gallery is close to several subway stops: the #1 line to Franklin Street or the A, C, E, N, R or #6 lines to Canal Street.

Mounting the Exhibit

Tuesday, November 06, 2007

That's progress (so get over it, Michael)

The small town in Japan in which I lived, laughed, loved, hated, cried, struggled, languished and thrived for three years no longer exists.
Physically, it's still there and is largely as I remember it, thanks to a recent bird's-eye view on Google Earth.

But its name has been stricken from Japan's roster of municipalities, a victim of a great nationwide consolidation of little villages and towns into bigger towns and cities, many complete with new names that sound sterile and squeaky clean because they're so new and pure and without baggage.

In 2006, Nosaka Town in Chiba Prefecture combined with Yokaichiba City to form Sosa City.
And in the process, local lore was lost.

Nosaka was formed in 1954 through the consolidation of two villages, Noda and Sakae. The first two kanji, or Chinese characters, of those names were blended to create Nosaka.
Yokaichiba, literally "eight day market," was named for the farmer's and tradesman's market held there on days ending in an 8. It, too, dates from 1954.

House entrance, Sawara City (now Katori City), Chiba Prefecture, Japan, 1997

Japan had tens of thousands of municipalities by the end of the Edo era in the mid-1860s, when the feudal period met its bloody demise. Those ranged from tiny villages of just a few homes to castle towns to great cities such as Edo (Tokyo), Osaka and Kyoto.
This dizzying hodgepodge has been winnowed down at intervals during the ensuing years so that now, just a few thousand distinct municipalities remain. There are fewer villages than ever.

I have no doubt that this consolidation, this simplification, this shedding of the past has cut some of the red tape that existed when there were more towns and villages, and has unquestionably saved money in the process.

But the connection to the past has suffered.
Novels, poems, biographies, period accounts, lovers' secrets make reference to place names that exist only in memory, if at all.
People have to qualify their answer when asked their hometown.

I'm sure it was like that in 1954, when Nosaka and Yokaichiba became strange new names, and in the great consolidations before that.
But a place name ties you to the land because it personalizes what you see as both yours and shared. You are a part of this place, and these are your fellow townsfolk. This is where you cast your lot. This is where new life is brought into the world, and where souls are launched into eternity.

Reality is impermanence and impermanence is reality. It's not a difficult concept to understand, at least superficially.
Feeling it in my bones, though, is another matter.

Wednesday, September 12, 2007

A keeper of the flame

Richard Rohrman-sensei
BudoKai Okinawan Goju-Ryu dojo
River Edge, N.J.
(taken with Nikon FM 35mm SLR, 50mm lens)

Thursday, September 06, 2007

Candy is dandy, but liquor is quicker ...

Back row, left to right: Nikon FM (circa 1979), Nikon F2 with DP-1 finder (circa 1974). Front row, left to right: Nikkormat FT2 (circa 1976), Nikon F with FTn finder (circa 1972). And I used to think nothing worthwhile came out of the '70s ....


Digital photography reigns, but when I need to get downright medieval with a subject, there's nothing like doing it the old-school way. Here's hoping the 35mm format never dies.

Sunday, August 26, 2007

Realisa tu sueno/Realize your dream

Artist James De La Vega
Shot with Nikkormat FT2 35mm SLR, 50mm f1.4 Nikkor lens
East Village, Manhattan

Plain dress, artist's eye

Photographer Lorcan Otway
Shot with Nikkormat FT2 35mm SLR, 50mm f1.4 Nikkor lens
East Village, Manhattan

Neither more nor less

Photographer Bob Arihood
Shot with Nikkormat FT2 35mm SLR, Nikkor 50mm f1.4 lens
East Village, Manhattan